'Whether we fall by ambition, blood or lust, like diamonds, we are cut with our own dust' The Duchess of Malfi is a thrilling combination of brilliant coups de théâtre, horrific set-pieces and vivid characters – notably the tragic Duchess and the subtly villainous Bosola – all lit by Webster’s obsessional imagination. The widowed Duchess of Malfi longs to marry her lover, the steward Antonio. But her rancorous brothers, Ferdinand and the Cardinal, are implacably opposed to the match. When their ...

Act I Scene 1 A suburb of Marseilles, the town which gave its name to the French National anthem. Through the forest a large group of people are on the move. This is the battalion of the Marseillais who are on their way to Paris. A cannon which they are taking with them indicates their intentions. Among the men of Marseilles is Philippe. It is by the cannon that Philippe makes the acquaintance of the peasant girl Jeanne. He kisses her on parting. Jeanne’s brother, Jerome, longs to join the Marse...

This is a new theatre production directed by Alexander Yanushkevich, which is based on the play by William Shakespeare. The sketch of the performance was initially presented within the scope of the directing laboratory led by Denis Maillefer (School of TEART, 2019). 

The Brothers Karamazov novel is the epitome of Fyodor Dostoevsky’s creative work, the acme of the philosophic investigation carried out by this colossal and restless mind throughout his life. World renowned choreographer Boris Eifman offers a remarkable vision of the core ideas within the novel, expanding upon them through body language as a way of exploring the origins of the moral devastation of the Karamazovs; creating through choreographic art an equivalent of what Dostoyevsky investigat...

Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature (Cumberbatch) is cast out into a hostile universe by his horror-struck maker (Lee Miller). Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Two versions of the production are shown - principal performers exhange parts.

“The Song of Songs” throughout the history of mankind has found many religious interpretations, inspired poets, musicians and painters. Visual and performing arts center "ART Corporation within its “TOK” project - invites you to see the interpretation of one of the oldest tales of love. In the new project by Yura Divakov Solomon's “Song of Songs” will open the doors to the world of passionate and tender, languid and furious feeling. Physicality as one of the main components of romantic love toda...

PROLOGUEThe city-state of Putivl. Together with his son, Vladimir, Prince Igor gathers his army for a military campaign against the Polovtsians. A sudden solar eclipse frightens everybody. The people and Igor’s inner circle of boyars (nobles) take this as a bad omen and plead with Igor to postpone the campaign. Unnoticed by the army, two soldiers—Skula and Yeroshka—decide to desert: they do not want to risk their lives and are determined to stay behind in Putivl. Igor’s wife, Yaroslavna, pleads...

The project “Imprint in motion” is a cross-media work that brings together visual arts, contemporary dance, music and film. The human body in a variety of plastic forms became its main character and at the same time material. In the space of a classical museum, with the help of choreography, plots are reimagined, consonant with the history of Western European civilization. Diana Vishneva became the main character and guide between the eras and the stylistic directions of dance. The team of t...

'Whether we fall by ambition, blood or lust, like diamonds, we are cut with our own dust' The Duchess of Malfi is a thrilling combination of brilliant coups de théâtre, horrific set-pieces and vivid characters – notably the tragic Duchess and the subtly villainous Bosola – all lit by Webster’s obsessional imagination. The widowed Duchess of Malfi longs to marry her lover, the steward Antonio. But her rancorous brothers, Ferdinand and the Cardinal, are implacably opposed to the match. When their ...

Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature (Cumberbatch) is cast out into a hostile universe by his horror-struck maker (Lee Miller). Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Two versions of the production are shown - principal performers exhange parts.